In this week’s issue… Dick Summer, radio legend – “Coast Country” surfs to Jersey shore – FLN adds three
By SCOTT FYBUSH
Jump to: ME – NH – VT – MA – RI – CT – NY – NJ – PA – Canada
[Programming note: We are on the road this holiday week, doing radio and some baseball across the Midwest. Our Fybush Media offices will reopen Tuesday, May 28, and unless there’s breaking news over the holiday, our next NERW issue will appear Monday, June 3.]
*”One hen, two ducks, three squawking geese.”
“Don’t call it a sandwich, call it a Shrewsbury.”
Depending on how old you are and when you encountered Dick Summer, you might have known him as the last survivor of the top-40 crew that became legends at WBZ (1030) in Boston in the 1960s. Or you might have known him as the smooth nighttime voice of New York a decade later at WNBC (660) and WYNY (97.1). Or, perhaps, you encountered him later on in his career as a therapist, or as a podcaster specializing in creating relaxing stories to lull you into sleep.
Summer was all of those things and more, a Brooklyn boy born Richard Schwende who started in radio at WFUV at Fordham in the 1950s, then broke into radio at WNRC in New Rochelle. He worked in radio and TV in Albany at WTEN and WROW, meeting future WBZ colleague Bruce Bradley, did a little time at WNHC in New Haven and WIBC and WISH/WISH-TV in Indianapolis, and by 1963 had heard Bradley on WBZ and sent along his own demo tape, soon getting hired for overnights.
(There’s much more on his early career in Donna Halper’s excellent biographic profile of him, here.)
At WBZ, he created “Nightlight,” the forerunner of decades of loose, funny overnight radio as eventually practiced by Larry Glick and Norm Nathan. The “Shrewsbury” bit? That was Dick’s firm conviction that the meal with two pieces of bread and filling in between wasn’t actually created by the Earl of Sandwich but by his rival, the Earl of Shrewsbury – and for a while, a lot of Bostonians were indeed ordering Shrewsburys, or so he claimed.
Summer’s “Nightlight” overnight show lasted only five years, remarkably, but it took him in some new directions, introducing him to folk music and even the underground rock scene. By 1968, he’d made it to New York as the first morning man on WNEW-FM (102.7), soon returning to Boston for a stint programming WMEX (1510). That’s where he first created the “Lovin Touch,” the mix of music and poetry that eventually became a popular series of tapes, CDs and podcasts later in life.
A brief return to WBZ in 1972 led him back to New York, first at WPLJ and then most lastingly at WNBC and WYNY. At WNBC, his “Mouth vs. Ear” segments continued to mix poetry into his music shows, and at WYNY he was the relaxing night voice for years. By the 1980s, he was mostly out of radio, doing voiceover work, studying hypnotherapy and creating those tapes and CDs and podcasts. (Some of those podcasts continue to air north of Boston at Lowell’s WCAP.)
And he was always a great friend to broadcasters, sharing his friendship and wisdom (and sometimes customized CDs) almost to the end. Summer was 89 when he died May 14, survived by his “Wonder Wench,” Barbara Summer, and a large family including six great-grandchildren.
THE 2025 TOWER SITE CALENDAR IS SHIPPING NOW!
Behold, the 2025 calendar!
We chose the 100,000-watt transmitter of the Voice Of America in Marathon, right in the heart of the Florida Keys. This picture has everything we like in our covers — blue skies, greenery, water, and of course, towers! The history behind this site is a draw, too.
Other months feature some of our favorite images from years past, including some Canadian stations and several stations celebrating their centennials (can you guess? you don’t have to if you buy the calendar!).
We will ship daily through Christmas Eve. Place your order now for immediate shipping!
This will be the 24th edition of the world-famous Tower Site Calendar, and your support will determine whether it will be the final edition.
It’s been a complicated few years here, and as we finish up production of the new edition, we’re considering the future of this staple of radio walls everywhere as we evaluate our workload going forward.
The proceeds from the calendar help sustain the reporting that we do on the broadcast industry here at Fybush Media, so your purchases matter a lot to us here – and if that matters to you, now’s the time to show that support with an order of the new Tower Site Calendar. (And we have the new Broadcast Historian’s Calendar for 2025 ready to ship, too. Why not order both?)
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